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Full Analysis at Spotamovie.com - **Intro** - Everything Everywhere All at Once is one of the best movies of 2022 and it can easily target some Oscars. It’s an incredible journey through multiverses to discover something mind-blowing that may change your existence. - **The Story** - The Wang are an, apparently, happy family. But when we begin to observe them, we discover fascinating characters with their needs, dreams and frustrations. Evelyn, in the middle of a midlife crisis, needs to learn how to cope with her anxieties, fears and family. On the other hand, her loved ones must understand how to deal with Evelyn, with their needs and how to re-think a life together. All of these crushes with the ongoing crisis of their business. An IRS auditor is making their lives challenging between invoices, debts and the risk of shutting down their business. What are Evelyn’s fears? How is her relationship with herself, with his daughter, husband and father? And what is the multi-verse? - **Enjoy the film and our full analysis at https://www.spotamovie.com/everything-everywhere-all-at-once-review-and-explanation-movie-2022/**

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/everything-everywhere-all-at-once-spoiler-free-review "Everything Everywhere All at Once is undoubtedly one of the best movies of the year, finally putting Daniels on the mainstream radar. With such a low budget, it's almost humiliating that so many expensive Hollywood blockbusters can't even reach the heels of so much originality, imagination, excitement, and emotion. Michelle Yeoh leads the troops in a film that also pays homage to the iconic career of the actress who, at 59 years old, accompanies the fantastic stunt team in truly outlandish fights. The mother-daughter relationship as the emotional core of the story follows a surprisingly predictable path and needs a few more dialogues to deliver an even more powerful climax, but it still induces tears and a genuine sense of concern for the characters. Technically, all the elements are so creatively unique that it warrants the clickbait "you've never seen anything like this". See it in theaters!" Rating: A

A truly sensational film! The utter definition of a must-watch. <em>'Everything Everywhere All at Once'</em> is impressive from every single viewpoint. I had heard murmurs of it being a great film, yet it still managed to completely smash my expectations. This 2022 release features a superb cast, a fascinating story and some top notch visuals. The editing and pacing, in particular, are brilliant. The onscreen talent are all fantastic, but Michelle Yeoh is still the absolute standout from this. What a performance! I could watch her in this role over and over and over. With that said, Ke Huy Quan (welcome back!) is awesome as well, as are Stephanie Hsu, James Hong and Jamie Lee Curtis. Everyone plays their part very, very well. All of the humour lands, with some parts being truly funny. It also manages to show supremely enjoyable action alongside a highly meaningful side too. In short: EEAAO is outstanding - you must see it if you get the opportunity! <em>Raccacoonie 👀</em>

I loved both Michelle Yeoh ("Evelyn") and Jamie Lee Curtis ("Deirdre") in this entertainingly surreal take on the latest multi-verse theme to hit the cinemas. The former is a lady trying to balance the books at her failing laundry who must face the wrath of the latter - an imposing IRS investigator. Add to her woes, she has her hapless husband "Waymond" (Ke Huy Quan); her recently out lesbian daughter "Joy" (Stephanie Hsu) and her imperious and disapproving father "Gong Gong" (James Hong). Frankly, this poor woman does not have her troubles to seek. Then, all of a sudden, there is a rift - and in best Lewis Carroll tradition, "Evelyn" finds herself in not just one, but in multiple realities where she has everything from superpowers to a need to save the world from beings that would permanently unravel all the layers of existence on planet Earth. It's frankly impossible to adequately evaluate the plot - it lurches, veers, wobbles and meanders all over the shop with precious little linear to guide the viewer. It is a tour de force from Yeoh, well directed and scripted - frequently amusingly - that asks just as many questions as it strenuously attempts to avoid answering. It is aptly titled - and you need to have your eyes (and your brain) on wide beam to get the most from this feast of ostensibly nonsensical, but often poignant, series of escapades that search for what could constitute any degree of life-satisfaction for "Evelyn". A second viewing is highly recommended - it has plenty more to give once you've calibrated your senses after the first time, and big screen shows off some great VFX that do not impose themselves on this character-driven movie.